Assassination Classroom: L’ora di tutti noi Gets Italian Theater Trailer Event

A decade after Assassination Classroom first took over Japanese manga and anime schedules, a new animated film is set to reach theaters in Italy as a special three-day event. Assassination Classroom: L’ora di tutti noi brings back Korosensei and his Class 3-E, promising previously unadapted manga material, more on-screen character moments, and the same high-speed, high-stakes classroom tone that made the franchise stick.

Quick facts

  • The film Assassination Classroom: L’ora di tutti noi will screen in Italian cinemas on 14, 15, and 16 September.
  • Eagle Picture is bringing the movie to theaters in collaboration with Yamato Video.
  • The movie celebrates the 10-year anniversary of the Assassination Classroom anime.
  • It includes new, previously unadapted adventures taken from the original manga.
  • Italian distribution for the franchise is handled by Panini Comics for the manga, with Yamato Video and Eagle Pictures managing anime home video releases.
  • For this Italian theatrical release, the voice cast and dubbing direction are set under Luca Ghignone.

Directed by Masaki Kitamura, the film is positioned as a celebration of the franchise’s 10th anniversary. The story returns to Korosensei—described as a bizarre yellow, tentacled creature with Mach 20 movement speed—while focusing on the relationship between him and his students, mixing surreal comedy, adrenaline-heavy pacing, and sincere emotional beats.

The premise remains as unusual as ever: after Korosensei appears on Earth and destroys much of the Moon, he threatens the planet with the same fate within a year. Conventional weaponry can’t stop him, so the world is forced into a strange condition—Class 3-E’s teacher role becomes the setup for assassination, with Korosensei himself supplying the tools his students will use to try to kill him.

That dynamic is at the heart of what the series became known for: Korosensei plays the role of the target while functioning as a deeply attentive instructor. He reportedly understands each student’s fragility and strengths, adapts his teaching style, and helps them develop skills and passions—an emotional paradox that helped define the franchise’s appeal.

What the new movie adds

In Assassination Classroom: L’ora di tutti noi, Korosensei returns to help Sugaya and Kataoka, but he also interferes in their personal lives. The film’s central twist comes during winter vacation, when Korosensei is made to spend time away from the class he loves.

Beyond the new story beats, the movie also marks a first for fans: it puts on the big screen animated episodes drawn from the original manga that had not been adapted into animation previously. The theatrical event is therefore framed as both a reunion for longtime viewers and an entry point for anyone encountering Korosensei’s world for the first time.

The franchise’s background traces back to Yūsei Matsui’s manga, which began serialization in 2012 in Weekly Shonen Jump. In Italy, the manga is published by Panini Comics, while the anime series includes two seasons released in the country by Yamato Video, with Eagle Pictures handling home video distribution.

Italian cast and dubbing for theaters

For this Italian theatrical release, the production will reuse the voice cast and staff from the anime series, with dubbing direction led by Luca Ghignone. Paolo De Santis will reprise the role of Korosensei.

De Santis is also noted for voicing characters including Brett Dalton/Ward in Agents of S.H.I.E.L.D., Kristoff in Frozen, Kayvan Novak/Nandor in What We Do in the Shadows, and Stitch in Disney’s live-action Lilo & Stitch.

With its September run, the film is set to give theaters a three-day chance to celebrate “ten years of lessons” and the franchise’s recurring cycle of impossible missions, assassination attempts, and laughter—centered on Korosensei and the students of Class 3-E.

Marcus Chen is a gaming journalist and industry reporter with more than 10 years of experience. He covers releases, announcements, and trends across PC, PlayStation, Xbox, and Nintendo, and keeps a close eye on the indie scene and esports. Previously an editor at several gaming publications, he now writes news, reviews, and breakdowns of major industry moments—from big showcases to updates on popular titles. His work is aimed at players who want a clear, fast read on what happened and why it matters.